The 50 Best Jazz Guitarists of All Time (See Your Favorite?)

GOOD FOR

Learn Jazz Standards Instuments
How Long Should My Jazz Solos Be?

Who are the fifty best jazz guitarists of all time? We will explore fifty of the most influential and consequential jazz guitarists of the last 100 years and discuss why every jazz guitarist on this list deserves their spot!

If you love jazz guitar and want to take your jazz guitar playing to the next level, you should check out some incredible free resources Learn Jazz Standards has to offer.

And if you want to take your jazz guitar skills to the next level, check out the Learn Jazz Standards Inner Circle. The Inner Circle has everything you needโ€”including guitar-specific resourcesโ€”to help you blast through practice plateaus and reach that next level.

Improve in 30 days or less. Join the Inner Circle.

What Went Into Making This List of the Greatest Jazz Guitarists of All Time?

Jazz guitar is quite broad.

Many different styles, sounds, and philosophies dot the limbs of the jazz guitar tree. From straight-ahead to fusion and chord melodies to sweep picking, jazz guitarists can differ widely in their playing styles, use of effects (or lack thereof), and musical attitudes.

This list attempts to cast a broad net across decades and continents to uncover the best jazz guitarists. Guitar-playing skills are the baseline requirement. Every guitar player on this list is a highly talented guitarist, but they also offer something more extraordinary than sheer virtuosity.

Whether they are paramount to their particular sub-genre of jazz, pushed jazz into new and uncharted territories, or revolutionized what jazz guitar could be through their peerless innovations, the following fifty jazz guitarists were at the top of their gameโ€”or are still at the top for those still among us.

Who Are The 50 Most Influential Jazz Guitarists Ever?

We’re almost ready to dive in, but here is a disclaimer before we do. This list isn’t in any particular order. To order these renowned artists would show biases and preferences for certain playing styles and categories of jazz guitar.

I am definitely not without my own biases, but in an effort to be objective, I wish to show no biases in this list. I’ll let you know who my favorites are, but the order in which these jazz guitarists appear doesn’t reflect their “rankings” or significance. All are extremely important to the art of jazz guitar.

With that out of the way, let’s dive in!

1. Django Reinhardt

Django Reinhardt

image source: Wikimedia Commons

  • Years: 1910โ€“1953
  • Style of Jazz: Swing; Hot-Club Jazz; Jazz Manouche

Django Reinhardt was a Belgian-born Romani-French jazz guitarist and composer widely regarded as one of the greatest guitarists ever.

He was a pioneer of the “Gypsy jazz” style, which is now called Jazz Manouche. He has many famous recordings with violinist Stรฉphane Grappelli, with whom he formed his quintet, Quintette du Hot Club de France.

Django Reinhardt was an influential figure from the Swing era. He was (and is) considered a virtuostic guitarist despite a severe burn injury to his left hand. Django Reinhardt’s chord playing and improvised solos are considered textbook language for the Jazz Manouche style.

Many of his compositions are considered jazz standards and are certainly Jazz Manouche standards:

  • “Minor Swing”
  • “Daphne”
  • “Belleville”
  • “Djangology”
  • “Swing ’42”
  • “Nuages”

Check out a clip of him playing in 1945, long after his burn injury. He can do more with two fingers than many guitarists can do with four!

2. Charlie Christian

Charlie Christian

image source: Wikimedia Commons

  • Years: 1916โ€“1942
  • Style of Jazz: Swing, Bebop

The electric guitar might not have been a bonafide jazz instrument if not for Charlie Christian. As one of the first true electric guitarists, Charlie Christian redefined the guitar as an instrument that could hold its own with other melodic instruments.

Some say his persona inspired the “lead guitar” as a musical archetype.

This American jazz guitarist was highly influential during the Swing era and later during the Bebop era. His work with Benny Goodman’s Band, the Benny Goodman Sextet, solidified his jazz star status.

Charlie Christian’s guitar playing undoubtedly influenced every guitarist thereafter, as he was the most prominent of the early great jazz guitarists to have featured solos on countless recordings from the 30s and early 40s.

Sadly, he passed away in 1942 at 25, but his influence lives on within every single subsequent jazz guitarist on this list.

Check out this Charlie Christian solo at 1:10 in the following recording from 1939:

3. Wes Montgomery

Wes Montgomery

image source: Wikimedia Commons

  • Years: 1923โ€“1968
  • Styles of Jazz: Hard Bop, Post-Bop, Easy Listening

Wes Montgomery is the poster child for what a jazz guitar player should be.

This iconic jazz guitarist may be the most influential guitarist on this list. Broadly speaking, Wes Montgomery represents a fork in the jazz guitar idiom, where after him, you had players who sounded like Wes and those who didn’t.

Wes Montgomery credits Charlie Christian as the sole inspiration for wanting to learn how to play. According to legend, after hearing a Charlie Christian record, he bought a guitar the next day and spent one year learning to play using only his ear.

Aspiring musicians need to take note of this. Wes Montgomery had no formal music theory training or experience. Instead, he let the music teach him how to play.

He didn’t use a pick or traditional classical guitar technique to play. Instead, he used the outer side of his thumb to articulate lines, arpeggios, and chords. This was a practical adaptation as he didn’t want to wake his family up at night when he would practice!

Wes Mongomery often used a three-stage guitar solo formula as the basis for his improvisational style. This legendary jazz guitarist usually started a solo with single lines, then switched to his iconic octave solos before finally playing chord solos using block chords.

Wes Montgomery was a pivotal figure in Hard-Bop and Post-Pop. His iconic album, The Incredible Jazz Guitar of Wes Montgomery (1960)put him on the map and made him a jazz music legend.

He would also achieve commercial success with his covers of pop-tunes as heard on his albums California Dreaming (1966), Tequila (1966), and A Day in the Life (1967).

Check out the incredible jazz guitar of Wes Montgomery on his original tune “4 on 6:”

4. Joe Pass

Joe Pass

image source: Wikimedia Commons

  • Years: 1929โ€“1994
  • Styles of Jazz: Bebop, Cool Jazz

If you appreciate guitar chord melodies (and we know you do!), then Joe Pass needs no introduction. Joe Pass’s incredible ability to improvise in the chord melody style meant he could sell out theatres with only himself and his guitar.

This great jazz guitarist started playing guitar at nine years old, practicing hours daily. By fourteen, he was making money as a professional musician, performing with various small jazz groups and touring throughout the jazz scene in different American cities.

His classical guitar training set him up to become a virtuoso solo guitarist. However, this prolific recording artist made many incredible recordings playing in groups with incredible jazz legends like Oscar Peterson and, perhaps most famously, in a duo setting with singer Ella Fitzgerald.

Jazz guitarists everywhere owe much to this incredible jazz musician, as he was one of the finest guitarists ever to live!

Check out Joe Pass shredding on this solo guitar performance on the tune “Stella By Starlight:”

5. Jim Hall

Jim Hall

image source: Wikimedia Commons

  • Years: 1930โ€“2013
  • Styles of Jazz: Cool Jazz, Post-Bop

Jim Hall was an American jazz guitarist whose subtlety and lyrical playing style made him a prominent figure in cool jazz and post-bop scenes. He is a personal favorite of mine, as many of the things he played in the late 50s and 60s sounded so fresh and modern.

Jim Hall’s musical journey began with the classical guitar at age ten. Like many other legendary guitarists on this list, it’s no surprise that Charlie Christian served as Jim Hall’s initial spark of inspiration when Hall heard Christian on a Benny Goodman record when he was 13.

Jim Hall’s improvisational approach is unlike that of other guitarists. He was a big proponent of playing exactly what you hear and not letting your fingers lead your musical mind. His solos are less about flashy lines (though he certainly is capable of them) and more about expressiveness and ideas.

It’s why he is considered the father of modern jazz guitar.

In fact, I had a guitar teacher explain to me once that jazz guitar forked at Wes Montgomery and Jim Hall. These two legends represent two jazz guitar camps into which subsequent guitarists could be sorted.

It’s a bit of an oversimplification, but it represents both these guitar giants’ influence on jazz guitar.

As far as recordings and performances, he was known for his collaborations with artists like Bill Evans and Paul Desmond and his work as a leader. Jim Hall was notorious for releasing incredible duo albums with other jazz legends like Bill Evans, Pat Metheny, Ron Carter, and many more!

Check him out playing duo with jazz piano legend Michael Petrucciani:

To learn more about Bill Evans and Michael Petrucianni, check out our list of the 50 greatest jazz pianists ever!

6. Grant Green

Grant Green

image source: Wikipedia

  • Years: 1935โ€“1979
  • Styles of Jazz: Hard Bop, Soul Jazz

Some of the tastiest guitar lines of all time can be attributed to Grant Green. This incredible guitar player has an instantly recognizable playing style, which is an attribute many jazz musicians aspire to. His grooving style and bluesy, repetitive phrases made him a pioneer of the soul jazz subgenre.

He was a prolific recording artist and session musician, appearing on many jazz and R&B albums throughout his career. He was a go-to guitarist for Blue Note Records in the 1960s, appearing as a band leader and as a sideman for numerous releases.

Again, it’s no surprise that Grant Green cited Charlie Christian as a major influence, along with saxophonists like Charlie Parker and Lester Young. Interestingly, Grant Green played guitar more like a saxophone than a guitar. He rarely played chords and instead approached guitar with a linear mindset.

Grant Green’s guitar playing is simple and elegant. It’s rarely flashy and was often exactly what the music called for.

Check out the soul jazz mastery of Grant Green in this live recording from 1969:

7. Kenny Burrell

Kenny Burrell

image source: Wikimedia Commons

  • Years: 1931โ€“present
  • Styles of Jazz: Hard Bop, Soul Jazz

Kenny Burell’s 1963 album Midnight Blue is a must-listen for jazz guitarists who want to infuse their playing with the blues. This incredible jazz musician is a notorious welding point between jazz and blues music, and his playing and phrasing are worth studying.

Kenny Burrell’s smooth, blues-influenced playing style made him one of the most respected guitarists in jazz. His playing style and long-spanning recording career influenced the infamous guitar, organ, and drum trio. His work with organist Jimmy Smith is a testament to that!

He made his recording debut in Dizzy Gilepsie’s Sextet in 1951 and has had a six-decade-long music career. Burrell has an extensive discography and has worked with so many jazz legends that it would be impractical to list them all.

Trust meโ€”if you don’t think you’ve ever heard Kenny Burell play, you’re wrong!

Check out Kenny Burrell playing live in 1991 and hear why he is one of the most legendary guitarists ever:

8. Pat Metheny

Pat Metheny

image source: Wikimedia Commons

  • Years: 1954โ€“present
  • Styles of Jazz: Jazz Fusion, Contemporary Jazz

Pat Metheny is a personal favorite of mine. I remember when I first heard him when I was very young. My dad would play the album Still Life Talking on long drives, and I couldn’t get enough ever since!

As a virtuostic player and composer, Pat Metheny is one of the most unique voices to grace the jazz landscape. His incredible recording career and voluminous musical output have certainly pushed the limits of what jazz can be.

Technically, Pat Metheny is a contemporary jazz guitarist who emerged from the fusion era.

However, I feel that his guitar playing and compositions step into their own category. Elements of electronic music, rock music, and world music often color his numerous albums and collaborations.

If you’ve never seen Pat Metheny live, you should definitely consider doing so soon. Pat Metheny brings so much to the table at his live shows, which feature solo guitar playing, duos with other bandmates, and tunes with the whole band. He even sometimes plays with his mechanically-automated Orchestrion.

Plus, I can’t get enough of the synth guitar solos.

Here he is playing his original tune “James” in 2004:

9. John McLaughlin

John McLaughlin

image source: Wikimedia Commons

  • Years: 1942โ€“present
  • Styles of Jazz: Jazz Fusion, Indian Classical

John McLaughlin is an English guitarist, composer, and bandleader who has been a prominent figure in jazz fusion and world music. John McLaughlin’s musical journey began when he was quite young, studying piano and violin before turning to guitar when he was 11.

Many diverse guitarists, from Jeff Beck to Pat Metheny, credit him as one of the best guitarists ever. He is a true musical pioneer who found the common ground between jazz and Indian classical music.

He is best known for his Mahavishnu Orchestra, which famously blended jazz with Indian classical music. However, he also contributed to jazz fusion, playing on several Miles Davis albums, such as In a Silent Way, Jack Johnson, Live-Evil, Bitches Brew, and On the Corner.

As a guitarist, he incorporates non-western scales and odd-time signatures into his playing and compositions. These features and his incredible technical skill on the instrument make him one of the best jazz guitarists of all time.

Check out John McLaughlin exhibiting his Eastern musical influences on acoustic guitar in 1976:

10. George Benson

George Benson

image source: Wikimedia Commons

  • Years: 1943โ€“present
  • Styles of Music: Soul Jazz, R&B, Pop, Smooth Jazz

When I first heard George Benson, I didn’t even know he was a guitarist. My first exposure to his music was his 80’s pop hit “Give Me The Night.” The song is an absolute gem if you are unfamiliar with it. Listen for when he simultaneously scats and solos on guitar.

But don’t let his pop sensibilities fool youโ€”this versatile guitarist is a bonafide jazz legend and quite adept on the guitar. He started out as a child prodigy whose performing career began at eight years old and whose recording career began at nine years old.

Beson dropped out of high school to officially pursue music and released his debut album as band leader at age twenty-one. In his early career, he performed with jazz legends like Miles Davis and Freddie Hubbard, among others, before achieving cross-over success in the 1970s and 80s.

He has since won 10 Grammy Awards throughout his long career.

Check out George Benson perform the tune “Affirmation” in 2008:

11. Barney Kessel

Barney Kessel

image source: Wikimedia Commons

  • Years: 1923โ€“2004
  • Styles of Jazz: Swing, Bebop

Barney Kessel was an American jazz guitarist who played a significant role in the swing and bebop eras and is considered a chord melody maestro. Barney Kessel started playing guitar at a young age but only had three months of formal guitar lessons when he was 12 years old!

Like other guitarists on this list, his professional music career also started early. By 16, he was touring with dance bands and playing swing music. By 20, he was recording with Charlie Parker!

Barney Kessel was a prolific studio musician. He was part of the unofficially named studio musician group “The Wrecking Crew” and played guitar on countless pop, rock, and jazz albums.

Check out Barney Kessel play guitar on over a mash-up of classic Bossa Nova tunes:

To learn more about Bossa Nova, check out this article on six essential Bossa Nova chord progressions.

12. Tal Farlow

Tal Farlow

image source: Wikimedia Commons

  • Years: 1921โ€“1998
  • Styles of Jazz: Bebop

Tal Farlow was an American jazz guitarist known for his incredible technique and expertly articulated, flowing bebop lines. He earned the nickname “The Octopus” because his massive and agile hands moved quickly across the fretboard, playing flowing melodic lines.

This self-taught guitar master started playing when he was 22! And he made his own electric guitar because he couldn’t afford one. Like many other incredible jazz guitarists on this list, Charlie Christian was a massive inspiration for Tal Farlow.

He was a prominent figure in the 1950s bebop scene, playing with jazz legends like Charles Mingus and Artie Shaw. His self-taught jazz guitar skills contributed to an unmistakable, unique style and sound.

Check out Tal Farlow playing on the tune “Misty:”

13. Larry Coryell

Larry Coryell

image source: Wikimedia Commons

  • Years: 1943โ€“2017
  • Styles of Jazz: Jazz Fusion

Larry Coryell was the “Godfather of Fusion.” This great jazz guitarist started his musical journey on piano as a teenager but soon switched to electric guitar. Inspired by the second generation of jazz guitarists, Larry Coryell cites Wes Montgomery and Kenny Burrell as his biggest jazz guitar influences.

He was a pioneer in blending jazz with rock and other genres, contributing to the development of jazz fusion in the late 1960s and 1970s. In the 1960s, he played with Chico Hamilton and Garry Burton before forming a series of bands throughout the late 60s and 1970s.

Check out this incredible performance of “Kowloon Jag” from 2013:

14. Bill Frisell

Bill Frisell

image source: Wikimedia Commons

  • Years: 1951โ€“present
  • Styles of Jazz: Contemporary Jazz, Folk, Americana

Bill Frisell is another favorite of mine, and he (along with a few others on this list) proves that jazz can be played on a Telecaster or a Gibson SG!

This American guitarist uniquely approaches jazz music, incorporating folk, classical, Americana, and country elements. He is a highly versatile jazz musician known for his innovative use of effects and his collaborations with various artists outside the jazz world.

His playing style is lyrical and melodic, and he supports his lines with lush, vibrant, and yet simple harmonies. If we are ranking guitarists for having their own unique style, Bill Frisell might be the best jazz guitarist on the list!

He has had an extensive music career as a session musician and as the leader of his own band. His playing must be heard to be believed!

Check out Bill Frisell playing with the Bill Frisell Group in 1989:

15. Al Di Meola

Al Di Meola

image source: Wikimedia Commons

  • Years: 1954โ€“present
  • Styles of Music: Jazz Fusion, Flamenco, World Music

Al Di Meola is an incredible American jazz guitarist best known for his work in jazz fusion. His incredible guitar technique and prowess have made him a cross-genre guitar hero for many metal guitarists, including Yngwie Malmsteen, Paul Gilbert, John Petrucci, and Randy Rhoads.

Considered a “shredder” by Guitar World Magazine, Al Di Meola dislikes the term and would prefer to be considered a composer. But his picking hand skills can’t be denied (sorry, Al!).

He started his career in the jazz fusion scene by playing with the fusion supergroup Return To Forever, featuring Stanley Clark and Chick Corea. Since then, he has walked a blurry line between jazz, rock, metal, and even Flamenco!

Check out Al Di Meola playing with Berklee faculty and students in 2018:

16. John Scofield

John Scofield

image source: Wikimedia Commons

  • Years: 1951โ€“present
  • Styles of Jazz: Jazz Fusion, Post-Bop, Jazz Rock, Electric Blues

John Scofield is an American jazz guitar legend and composer who is famous across several jazz-adjacent genres. When I was younger and less aware, I actually saw John Scofield lead a big band at the Clifford Brown Jazz Festival in Wilmington, DE. I remember loving it, yet I had no idea who he was.

Shame on me.

He studied music at Berklee but left early to record with Chet Baker and Gerry Mulligan’s group. His career has flourished ever since, as he has recorded and performed alongside the likes of Miles Davis, Gary Burton, Joe Lovano, and many more!

John Scofield has a distinctive sound that blends elements of blues guitar, funk, and rock with impeccable jazz skills. As far as contemporary guitarists, John Scofield is one of the best.

Check out John Scofield playing at the North Sea Jazz Festival in 1986:

Learn more about Joe Lovano and the other jazz saxophonists mentioned in this article by checking out the 37 best jazz saxophonists.

17. Kurt Rosenwinkel

Kurt Rosenwinkel

image source: Wikimedia Commons

  • Years: 1970โ€“present
  • Styles of Music: Contemporary Jazz, Jazz Rock, Electronic, World Music, Hip Hop

I can’t hide my biases! Kurt Rosenwinkel is definitely one of my top five favorite jazz guitarists. At one point, he was my favorite jazz guitarist (a title that constantly rotates).

This American jazz guitarist, composer, and Philadelphia native is famous for his innovative approach to modern jazz and modern jazz guitar playing. His work incorporates elements of contemporary jazz, rock, and electronic music, making him one of the most influential guitarists of his generation.

He is an incredibly creative improviser with a unique and distinctive style and an outstanding composer and arranger, winning the Composer’s Award from the National Endowment for the Arts in 1995.

Also, Kurt has played with many jazz legends and incredible musicians from outside the jazz scene. I highly recommend seeing him live if you can!

Check out Kurt Rosenwinkel playing live on the Tune “Along Came Betty” with the Peter Beets trio:

18. Peter Bernstein

Peter Bernstein

image source: Wikimedia Commons

  • Years: 1967โ€“present
  • Styles of Jazz: Hard Bop, Post-Bop, Contemporary Jazz

Peter Bernstein is another modern jazz guitar icon. I actually saw Peter Bernstein and Kurt Rosenwinkel perform together at Chris’s Jazz Cafe in Philadelphia. They were the perfect foils for each other stylistically.

Bernstein is a very articulate and thoughtful guitar player who has a clean and precise playing style. He plays with more restraint than other guitarists, and it shines through in the strength of his lines and comping.

This American jazz guitarist made a name for himself in the hard bop and post-bop scenes, working with many jazz greats as a sideman and leading several groups of his own. Jim Hall gave him his start by giving him a slot at the 1990 JVC Jazz Festival.

Check out a live studio session with the Peter Bernstein trio playing the tune “I Love You:”

19. Julian Lage

Julian Lage

image source: Wikimedia Commons

  • Years: 1987โ€“present
  • Styles of Jazz: Contemporary Jazz, Blues, Americana, Country Music

Another personal favorite of mine is Julian Lage! This American jazz guitarist and composer started his music career as a child prodigy and has since grown into an incredibly sensitive and virtuostic jazz musician.

Julian Lage has become a leading figure in contemporary jazz music, blending jazz, classical, and Americana elements and possessing an instantly recognizable playing style. I’ve had the pleasure of seeing Julian Lage a few times!

Check out Julian Lage’s unique Americana-infused playing style on the tune “I’ll Be Seeing You:”

20. Russell Malone

Russell Malone

image source: Wikimedia Commons

  • Years: 1963โ€“2024
  • Styles of Jazz: Straight-Ahead Jazz; Contemporary Jazz

Russell Malone is an American jazz guitarist with an accomplished music career recording and performing as a sideman and band leader. He cited George Benson and B.B. King as vital to his guitar playing.

His soulful and blues-twinged straight-ahead style made him a much sought-after musician. He started working and touring with Jimmy Smith and became a first-call guitarist in the jazz scene.

Check out Russel Malone play an incredible solo jazz guitar performance:

21. Mike Stern

Mike Stern

image source: Wikimedia Commons

  • Years: 1953โ€“present
  • Styles of Jazz: Jazz Fusion

Mike Stern is an incredible American jazz guitarist known for his rock and jazz fusion work. As another advocate of telecaster jazz, Mike Stern is a jazz musician who pushes the boundaries of what jazz can be.

He first gained prominence as the guitarist for the jazz-rock group Blood, Sweat, and Tears before working with Miles Davis in the 1980s. Since then, Stern has had a successful solo career playing in the unique niche he has carved out for himself.

Much of his work blends jazz with rock, blues, and world music.

Check out the Mike Stern Quintet playing in 2023:

22. Herb Ellis

Herb Ellis

image source: Wikimedia Commons

  • Years: 1921โ€“2010
  • Styles of Jazz: Swing, Bebop

Herb Ellis was an American jazz guitarist known for his work in the swing and bebop eras. He was musically gifted from an early age, first on the harmonica, then on the banjo, and then on guitar.

He went to college for music, but North Texas State University didn’t have a guitar program, so he majored in double bass. However, he wouldn’t stay school-bound for long. He dropped out to play music professionally and eventually worked his way into Jimmy Dorsey’s band.

Most famously, he was a member of the Oscar Peterson Trio and became a key fixture in that iconic group’s success and notoriety.

Here is Herb Ellis playing on the jazz standard “Days of Wine and Roses:”

23. Freddie Green

Freddie Green

image source: freddiegreen.org

  • Years: 1911โ€“1987
  • Styles of Jazz: Swing Music, Big Band Jazz

Freddie Green was an American jazz guitarist best known for his fifty-year-long tenure with the Count Basie Orchestra! He set the rules for what jazz comping on guitar was supposed to be. His steady and subtle rhythmic pulse became a hallmark of the Count Basie sound.

Though rarely taking solos, he was an adept musician with a profound understanding of jazz and an incredible insight for rhythm guitar. We take the guitar for granted today, but if it wasn’t for Freddie Green’s skills, the banjo might have been the instrument we’re all playing today…

Check out Freddie Green’s chord solo at 4:30 in this recording of Count Basie’s Orchestra:

24. Allan Holdsworth

Allan Holdsworth

image source: Wikipedia

  • Years: 1946โ€“2017
  • Styles of Music: Jazz Fusion, Progressive Rock, Metal

Allan Holdsworth was an English jazz guitarist and composer who, like Al Di Meola, had a cross-over influence on other genres.

Specifically, Allan was highly proficient and technically sound on the guitar. From ripping lead lines to intricately harmonized chord progressions, Allan Holdsworth was a maverick. His complex harmonic systems and advanced legato playing technique gave him a bite and an edge that other fusion guitarists only dreamed of matching.

He cited saxophonists John Coltrane, Cannonball Adderley, Michael Brecker, and Charlie Parker as profoundly impacting his playing style. He pioneered jazz fusion and has an extensive discography of incredible and original music dating from the 1970s until the 2010s.

Check out Allan Holdsworth’s virtuosic playing on the tune “Tokyo Dream” in 1984:

25. Gilad Hekselman

Gilad Hekselmen

image source: Wikimedia Commons

  • Years: 1983โ€“present
  • Styles of Jazz: Contemporary Jazz

Gilad Hekselman is an Israeli jazz guitarist based in New York, known for his work in contemporary jazz. His fluid and melodic playing style has earned him recognition as one of the leading voices in modern jazz guitar.

Hekselman has released several albums as a band leader and has appeared as a sideman on many others, including Esperanza Spalding’s Radio Music Society.

Check out the Gilad Hekselman trio playing an impressive arrangement of Roy Hargrove’s “Strasbourg/St. Denis:”
https://www.youtube.com/watch?v=PEwmcptx6ns

BEFORE YOU CONTINUE...

If you struggle to learn jazz standards by ear, memorize them, and not get lost in the song form, then our free guide will completely change the way you learn tunes forever.

Learn Jazz Standards The Smart Way Ebook Cover

26. Emily Remler

Emily Remler

image source: Wikimedia Commons

  • Years: 1957โ€“1990
  • Styles of Jazz: Hard Bop

Emily Remler was an American jazz guitarist from New Jersey who started playing guitar at age 10, listening to rock guitarists Jimi Hendrix and Johnny Winter.

However, she soon became infatuated with jazz and started consuming Wes Montgomery, Herb Ellis, Pat Martino, and Joe Pass records. And yes, like most other guitarists on this list, Charlie Christian was an influence, too!

Despite a short career, she worked alongside many incredible jazz musicians. She was known for her bebop-inspired phrasing and her work as a leader and educator before her death at 32.

Check out Emily Remler crushing an original blues tune:

27. Ralph Towner

Ralph Towner

image source: Wikimedia Commons

  • Years: 1940โ€“present
  • Styles of Jazz: Contemporary Jazz, Avant-Garde Jazz, Classical Music, Folk, World Music

Ralph Towner is an American guitarist, composer, and multi-instrumentalist known for his work in contemporary jazz, classical, and world music.

When playing guitar, he notoriously only plays acoustic guitars, including classical guitars and 12-string guitars. He has had a quiet but accomplished musical career, consistently releasing albums in avant-garde jazz, improvisational free music, folk music, and Indian classical music genres.

Check out Ralph Towner playing the classic tune “Nardis” in 2013:

28. Lenny Breau

Lenny Breau

image source: Wikipedia

  • Years: 1941โ€“1984
  • Styles of Music: Jazz, Folk, Country, Flamenco

Lenny Breau was a Canadian-American guitarist known for his unique sound featuring jazz, country, and flamenco influences. His advanced fingerstyle technique and harmonic approach made him a highly influential guitarist, although his career was cut short by his untimely death.

He came from a family of country and western musicians and grew up playing in the family band. However, he would leave the group and pursue jazz music instead. He became a much sought-after session musician and even had his own show on CBC-TV: The Lenny Breau Show.

Check out Lenny Breau playing his solo guitar arrangement of the Bob Dylan tune “Don’t Think Twice, It’s All Right:”

29. Pat Martino

Pat Martino

image source: Wikimedia Commons

  • Years: 1944โ€“2021
  • Styles of Jazz: Hard Bop, Post-Bop

Another favorite of mine!

Pat Martino was a Philadelphia original. He had a powerful and impressive 8th-note line style when improvising, which hasn’t been matched since. He was a hard bop and post-bop guitarist through and through, and some of his greatest recordings are in the organ trio format.

He had a brain aneurysm in the 1980s that left him with amnesia. However, Martino relearned the guitar and could continue his music career after re-teaching himself to play.

Check out the Pat Martino Trio playing the tune “Full House:”

30. Birรฉli Lagrรจne

Birรฉli Lagrรจne

image source: Wikimedia Commons

  • Years: 1966โ€“present
  • Styles of Jazz: Jazz Manouche, Jazz Fusion

Bireli Lagrene is a French jazz guitarist known for his virtuosity in the Jazz Manouche tradition, following in the footsteps of Django Reinhardt. He started playing at four and was noticed and mentored by the likes of Al Di Meola, Paco de Lucรญa, and John McLaughlin.

His playing style and musical interests evolved and expanded to include jazz fusion, leading him to collaborate with numerous jazz greats like electric bass players Jaco Pastorius and Stanley Clarke.

Check out Birรฉli Lagrรจne playing on the classic Stevie Wonder tune “Isn’t She Lovely:”

31. Charlie Byrd

Charlie Byrd

image source: Wikimedia Commons

  • Years: 1925โ€“1999
  • Styles of Jazz: Swing, Bossa Nova, Latin Jazz

Charlie Byrd was an American jazz guitarist known for popularizing the Brazillian music Bossa Nova in the United States. His blend of classical guitar technique with jazz and Latin rhythms made him a first call Bossa Nova guitarist.

He started studying guitar at ten years old with his father, a mandolin and guitar player. He didn’t go to school for music but was involved in the school’s orchestra.

After being drafted and serving in WWII, he went to school for composition and studied classical guitar, studying with Andrรฉs Segovia. After this, he became a teaching and performing musician. He first was exposed to Brazilian music in the 1950s, when hanging out with Stan Getz.

After this, he became heavily involved in the performing, recording, and spreading of Bossa Nova music in the United States.

Check out Charlie Byrd playing on the Jobim tune Corcovado:

32. John Abercrombie

John Abercrombie

image source: Wikimedia Commons

  • Years: 1944โ€“2017
  • Styles of Jazz: Jazz Fusion, Avant-Garde Jazz, Free Jazz

John Abercrombie was an American jazz guitarist known for his pioneering work in jazz fusion, avant-garde jazz, and free jazz. His lyrical and exploratory playing style made him a significant figure in modern jazz.

He cited George Benson and Pat Martino as early guitar influences, but the playing styles of Sonny Rollins and Wes Montgomery also influenced him. He got his first big break after meeting Michael Brecker, Randy Brecker, and organist Johnny Smith at a jazz workshop in Boston.

They were so impressed, they asked him to go on tour! John Abercrombie’s music career took off after that, and he would go on record and perform music for four decades!

Check out John Abercrombie playing with the trio Gateway:

33. Tuck Andress

Tuck Andress

image source: Wikimedia Commons

  • Years: 1952โ€“present
  • Style of Music: Contemporary Jazz, Folk, Fingerstyle Guitar

Before researching fifty guitarists for this article, I wasn’t very familiar with Tuck Andress. However, Tuck Andress deserves to be on the list of the greatest jazz guitarists ever.

Tuck is an American jazz guitarist who plays with an intricate fingerstyle technique. Apart from being respected as a jazz musician, he is also widely respected in the fingerstyle guitar genre, which sees the whole guitar as an instrumentโ€”especially a percussive one.

He is the Tuck of the famous duo Tuck & Patti, which gained acclaim for smoothly integrating jazz, pop, and R&B influences into a unique style of music.

Check out Tuck Andress doing his thing on the tune “Europa:”

34. Jimmy Raney

Jimmy Raney Album Cover for the Master 1981

image source: Wikipedia

  • Years: 1927โ€“1995
  • Style of Jazz: Cool jazz, Bebop, Post Bop, Hard Bop

Jimmy Raney was an American jazz guitarist known for his smooth, lyrical guitar lines. He worked throughout the bebop, postbop, and hard-bop eras of jazz.

He played with notable musicians such as Stan Getz, Red Norvo, the Max Miller Quartet, and with Artie Shaw. Despite being partially deaf due to a degenerative condition called Mรฉniรจre’s disease, he was an incredible musician and formidable guitarist.

Check out the strength of Jimmy Raney’s guitar lines on this rare recording of “Billie’s Bounce:”

If you want to learn more about bebop language on guitar, check out this article on jazz guitar licks.

35. Adam Rogers

Adam Rogers

image source: Wikimedia Commons

  • Years: 1965โ€“present
  • Styles of Jazz: Contemporary Jazz, Fusion, Straight Ahead Jazz

Adam Rogers is an American jazz guitarist recognized for his versatility and technical skill on the guitar. He started playing drums and piano at five years old, and by eleven, he was mesmerized by the guitar, and by fifteen, he fell in love with jazz.

He studied classical guitar and started his musical journey playing in fusion bands. But since the start of his career, he’s worked as both a leader and a sideman with many jazz greats, blending jazz, rock, and classical music elements in his playing.

Some notable jazz musicians he’s played with include:

  • Kenny Barron
  • Brian Blade
  • Walter Becker
  • Michael Brecker
  • Christian McBride
  • Larry Coryell
  • Bill Evans
  • Norah Jones
  • John Patitucci
  • Chris Potter

Check out the Adam Rogers Quartet playing on the classic tune “Impressions:”

36. Sheryl Bailey

Sheryl Bailey

image source: Wikimedia Commons

  • Years: 1966โ€“present
  • Styles of Jazz: Hard Bop, Post-Bop

Sheryl Bailey is an American jazz guitarist and jazz educator known for her work in hard bop and post-bop. Growing up in Pittsburgh, she started playing guitar at 13 and was first interested in rock music. However, it wasn’t long before she was obsessing over Wes Montgomery albums.

She has released several albums and is a prominent member of the jazz guitar scene, teaching at Berklee, Stanford University, and the Collective School of Music in NYC.

Check out Sheryl Bailey and her trio, the Sheryl Bailey 3:

37. Frank Gambale

Frank Gambale

image source: Wikimedia Commons

  • Years: 1958โ€“present
  • Styles of Jazz: Jazz Fusion

Frank Gambale is an Australian jazz guitarist known for his work in jazz fusion. He is well respected as a guitarist and is considered a technical virtuoso. As a band leader, he has released over twenty albums over the three decades he’s been active.

He gained notoriety as the guitarist for Chick Corea’s Elektric Band and has been a jazz fusion staple since. He even invented his own tuning system to better mimic piano chord voicings!

Gambale is also an incredible jazz educator, serving as head of the guitar department at the Los Angeles Music Academy and creating his own online guitar school.

Check out Frank Gambale:

38. Jonathan Kreisberg

c9975415 666c 4071 9c37 1246e1066f16

image source: Wikimedia Commons

  • Years: 1972โ€“present
  • Styles of Jazz: Contemporary Jazz

Here is another personal favorite of mine! I once had a Zoom lesson with him, and it was an incredible experience. Jonathan Kreisberg’s picking technique is precise and masterful, and his improvisational mind is unmatched.

He is an incredible player and educator and certainly worth transcribing.

Check out the Jonathan Kreisberg Quartet:

39. John Pizzarelli

John Pizzarelli

image source: Wikimedia Commons

  • Years: 1960โ€“present
  • Styles of Jazz: Swing, Traditional Jazz

John Pizzarelli is an American jazz guitarist and singer known for his work in swing and traditional jazz. As the son of jazz guitarist Bucky Pizzarelli, he grew up learning the tools of the trade. However, he is one of the few guitarists who can sing and accompany himself as he does so!

He has released over twenty solo albums and has appeared as a sideman with many other notable musicians, including James Taylor, Natalie Cole, Stephane Grappelli, and Paul McCartney.

Check out John Pizzarelli singing and playing solo on the classic Rhythm Changes tune “I Got Rhythm:”

40. Nguyรชn Lรช

Nguyen Le

image source: Wikimedia Commons

  • Years: 1959โ€“present
  • Styles of Jazz: Jazz Fusion, World Music

Nguyen Le is a French-Vietnamese jazz guitarist known for blending jazz with various world music elements, including traditional Vietnamese music. He plays electric guitar, electric bass, and guitar synth!

He has an innovative approach to playing guitar, which makes him a unique figure in contemporary jazz fusion. He has led several bands and has played on the records of many other notable jazz musicians.

Check out Nguyรชn Lรช and his Streams Quartet playing live:

41. Stanley Jordan

Stanley Jordan

image source: Wikimedia Commons

  • Years: 1959โ€“present
  • Styles of Jazz: Jazz Fusion, Contemporary Jazz

Stanley Jordan is a guitar enigma. He plays guitars and is technically a guitarist, but he doesn’t play the guitar like most other jazz guitarists. He plays guitar more like a piano, tapping notes with his picking hand and using his fretboard hand to voice chords and play lower register notes.

Notably, he tunes his guitars entirely in 4ths, so he doesn’t need to deal with that pesky G to B string anomaly!

Standard Tuning: E-A-D-G-B-E

Jordan Tuning: E-A-D-G-C-F

It’s truly a unique experience to watch him play! He sometimes performs with two guitars at once, using one to improvise and play melodies and the other for accompaniment. The sight is pretty mindblowing.

Check out Stanley Jordan playing “Autumn Leaves” on two guitars at once:

42. Lionel Loueke

Lionel Loueke

image source: Wikimedia Commons

  • Years: 1973โ€“present
  • Styles of Jazz: Contemporary Jazz, World Music

Lionel Loueke is a Beninese guitarist and vocalist known for his work in contemporary jazz and world music. He has a unique percussive style of playing guitar and often incorporates African melodies and folk music into his compositions, arrangements, and performances.

He has worked with a wide array of musicians from multiple genres, including Avishai Cohen, Charlie Haden, Brian Blade, Roy Hargrove, Marcus Miller, John Patitucci, Santana, and even Sting!

Check out Lionel Loueke playing on the traditional West African song “Vi Ma Yon:”

43. Larry Carlton

Larry Carlton

image source: Wikimedia Commons

  • Years: 1948โ€“present
  • Styles of Music: Jazz Fusion, Smooth Jazz, Rock, Pop, R&B

Even if you didn’t know you’ve heard Larry Carlton, you’ve heard Larry Carlton. Over his long career, this absolute workhorse of a session musician has appeared on thousands of rock, pop, jazz, country, and blues records.

Some of the more famous sessions involved Steely Dan, Joni Mitchell, Michael Jackson, Linda Ronstadt, Quincy Jones, the Fifth Dimension, Herb Alpert, Sammy Davis Jr., and Dolly Parton.

As a solo artist, he is most famous for his jazz fusion and smooth jazz work, having released six solo albums.

Check out Larry Carlton playing a mash-up of classic tunes:

44. Lee Ritenour

Lee Ritenour

image source: Wikimedia Commons

  • Years: 1952โ€“present
  • Styles of Music: Jazz Fusion, Jazz Funk, Smooth Jazz, Rock, Pop, R&B

Lee Ritenour is another workhorse session musician cut from the same cloth as Larry Carlton. Though this guitarist is most known for his work in jazz fusion and smooth jazz, he’s had a prolific career as a session musician.

He played on his first professional recording at age sixteen with The Mamas & The Papas and has had an impressive career ever since.

Lee Ritenour and Larry Carlton played together often! Here is a live performance of them from 1990:

45. Vic Juris

Vic Juris

image source: Jazz In Europe

  • Years: 1953โ€“2019
  • Styles of Jazz: Contemporary Jazz, Post-Bop

Vic Juris is a guitarist’s guitarist. This jazz guitarist was phenomenal in every way you’d want a jazz musician to be. His playing was incredibly fluid and elastic, and his musical mind was unparalleled. In addition to being an incredible jazz musician, he was an incredible jazz educator.

This respected educator taught at The New School for Jazz and Contemporary Music, Lehigh University, and Rutgers University, in addition to publishing his own jazz guitar lesson books.

Check out Vic Juris crushing it live in this rare footage:

46. Wayne Krantz

Wayne Krantz

image source: Wikimedia Commons

  • Years: 1956โ€“present
  • Styles of Music: Jazz Fusion, Experimental Jazz, Jazz Rock, Rock, Blues

Wayne Krantz is an American guitarist known for his work in rock, jazz fusion, and experimental jazz. He started playing guitar when he was fourteen and was originally interested in rock, but he also grew to love jazz.

He was in a band that included Bill Frisell when he was younger but has since focused on his solo career.

His innovative and often unconventional approach to the guitar has made him a highly influential figure in modern music. Krantz has recorded with many notable artists across multiple genres, including Michael Brecker, Steely Dan and Donald Fagen, Bill Frisell, Chris Potter, Carla Bley, and David Binney.

Check out this excellent Wayne Krantz solo:

47. Ben Monder

Ben Monder

image source: Wikimedia Commons

  • Years: 1962โ€“present
  • Styles of Jazz: Contemporary Jazz, Avant-Garde Jazz, Contemporary Improvisational Music

Ben Monder is an American jazz guitarist and composer known for his incredible compositions and unique melodic, rhythmic, and harmonic concepts. His playing and his musical mind are truly unique. As a player, improviser, and composer, he certainly stands out as one of a kind.

Check out the genius of Ben Monder live:

48. Baden Powell

Bayden Powel's album Os Afro-sambas

image source: Wikipedia

  • Years: 1937โ€“2000
  • Styles of Jazz: Bossa Nova, Brazilian Jazz

Baden Powell was a Brazilian guitarist and composer who was highly influential in the development of bossa nova and Brazilian jazz in the United States.

His virtuosity and natural understanding of Afro-Brazilian rhythms made him a key figure in Brazilian music, blending classical guitar technique with jazz and Brazillian folk music.

Check out Bayden Powell playing live on the classic Bossa Nova tune “Manhรฃ De Carnival:”

49. Lage Lund

Lage Lund

image source: Wikimedia Commons

  • Years: 1978โ€“present
  • Styles of Jazz: Contemporary Jazz

Lage Lund is a Norwegian jazz guitarist who is a regular presence in the New York jazz scene. He originally wanted to be a professional skateboarder but decided to pursue guitar instead at age thirteen.

As a prominent figure in modern jazz, he has worked with many notable contemporary jazz artists, including Seamus Blake, Mulgrew Miller, Wynton Marsalis, and Ron Carter.

Check out Lage Lund playing live on the tune “Cigarettes:”

50. Martin Taylor

Martin Taylor

image source: Wikimedia Commons

  • Years: 1956โ€“present
  • Styles of Jazz: Swing, Jazz Manouche, Contemporary Jazz

Martin Taylor is a British guitarist renowned for his solo fingerstyle technique and dedication to the Jazz Manouche tradition. Coming from a musical family, he started playing guitar at four!

He got his start in the Stรฉphane Grappelli Quartet, who you may remember as the musical partner to the great Django Reinhardt. Though rooted in Jazz Manouche, he is well versed in many jazz, folk, and fingerstyle guitar styles.

Check out Martin Taylor playing the tune “Georgia On My Mind” in his own distinctive style:

Looking To Take Your Jazz Guitar Skills to the Next Level? Join The Learn Jazz Standards Inner Circle!

If you feel inspired by this article and want to take serious steps to improve your guitar playing, check out the Learn Jazz Standards Inner Circle. We have everything you need to take your playing to a higher level.

Improve in 30 days or less. Join the Inner Circle.

TAKE YOUR JAZZ PLAYING TO THE NEXT LEVEL.

We help musicians of all instruments start improvising confidently over jazz standards in just 30 days without mind-numbing hours of practice or the overwhelm.

TAKE YOUR JAZZ PLAYING TO THE NEXT LEVEL.

We help musicians of all instruments start improvising confidently over jazz standards in as little as 30 days without mind-numbing hours of practice or the overwhelm.

โ€œJazz music is the power of now. There is no script. Itโ€™s conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.โ€
WYNTON MARSALIS

YOU MAY ALSO BE INTERESTED IN

Learn Jazz Standards The Smart Way Ebook Cover

OUR PROVEN PROCESS FOR LEARNING JAZZ STANDARDS LIKE A PRO

A step-by-step guide for how to effectively learn jazz standards so youโ€™ll feel confident playing them, and wonโ€™t forget them.

TERMS AND CONDITIONS

Welcome to LearnJazzStandards.com! Weโ€™ve created this page so that you (and any visitor to LearnJazzStandards.com) will understand the terms and conditions that govern your use of this website. If you continue to browse and use this website you are agreeing to comply with and be bound by the following terms and conditions, which together with our privacy policy comprise our (LearnJazzStandards.comโ€™s) entire relationship with you.

Exclusion of Liability

The content found on any page of this website is for your general information and use only, and it is subject to change without notice. Neither we nor any third parties provide any warranty or guarantee as to the accuracy, timeliness, performance, completeness or suitability of the information and materials found or offered on this website for any particular purpose. You acknowledge that such information and materials may contain inaccuracies or errors and we expressly exclude liability for any such inaccuracies or errors to the fullest extent permitted by law. Your use of any information or materials on this website is entirely at your own risk, for which we shall not be liable. It shall be your own responsibility to ensure that any products, services or information available through this website meet your specific requirements.

Indemnity

By accessing our website, you agree to indemnify and hold us harmless from all claims, actions, damages, costs and expenses including legal fees arising from or in connection with your use of our website.

Copyright Laws & Intellectual Property

This website contains some material which is owned by or licensed to us. This material includes, but is not limited to, the design, layout, look, appearance and graphics. Reproduction is prohibited other than in accordance with the copyright notice, which forms part of these terms and conditions. All logos, trademarks, and other intellectual property found on LearnJazzStandards.com are the property of their respective owners. They do not indicate ownership, affiliation, sponsorship, or any other relationship with LearnJazzStandards.com. In addition, this website may also include links to other websites. These links are provided for your convenience to provide further information. They do not signify that we endorse those websites, and we have no responsibility for the content of those linked websites.

Unauthorized Use

Your use of this website and any dispute arising out of such use of the website is subject to the laws of the United States of America. Any unauthorized use of this website may give rise to a claim for damages and/or be a criminal offense. Thanks, and enjoy LearnJazzStandards.com!

Return Policy for Products

Refund Policy

For play-alongs and eBooks:

Because these are digital downloads, and not returnable, we have a strict no refund policy. All purchases are final and cannot be reversed. Please be sure that you fully understand the product you are purchasing and what is and what is not included. Of course, if you ever have any questions about a product feel free to contact us or visit our FAQ page.

For 30 Days to Better Jazz Playing eCourse

Please make sure you completely understand the product you are buying before purchasing. 14 Day 100% Money Back Guarantee
  • This guarantee lasts 14 days, which completely covers almost half of the course, enough for you to observe itsโ€™ effectiveness.
  • We canโ€™t guarantee you will be Miles Davis, Charlie Parker, or John Coltrane in 2 weeks. Weโ€™d be suspicious of anyone who could promise that. Becoming a better jazz musician is a process and it requires work.
  • If youโ€™re not happy with the quality of this programโ€ฆsend us an email and showing you did the work. Weโ€™ll refund 100% of your money (Weโ€™ll even eat the credit-card processing fees) and weโ€™ll part as friends. We believe in the power of this course and so weโ€™ll take responsibility for it.

For Inner Circle Membership

Please make sure you completely understand the product you are buying before purchasing. 30 Day 100% Money Back Guarantee
  • This guarantee lasts 30 days, which is enough for you to observe the membership’s effectiveness.
  • We canโ€™t guarantee you will be Miles Davis, Charlie Parker, or John Coltrane in 30 days. Weโ€™d be suspicious of anyone who could promise that. Becoming a better jazz musician is a process and it requires work.
  • If youโ€™re not happy with the quality of this programโ€ฆsend us an email and showing you did the work. Weโ€™ll refund 100% of your money (Weโ€™ll even eat the credit-card processing fees) and weโ€™ll part as friends. We believe in the power of this course and so weโ€™ll take responsibility for it.

Rights of use

All digital products are for the use of the individual customer only. Redistribution or reselling of our digital products is strictly prohibited and a violation of United States and New York State law.

PRIVACY POLICY

At Learn Jazz Standards LLC, we recognize that privacy of your personal information is important.

Here are the types of personal information we may collect when you use and visit LearnJazzStandards.com, and how we safeguard your information. We never sell your personal information to third parties.

Log Files

As with most other websites, we collect and use the data contained in log files. The information in the log files include your IP (internet protocol) address, your ISP (internet service provider, such as AOL or Shaw Cable), the browser you used to visit our site (such as Internet Explorer or Firefox), the time you visited our site and which pages you visited throughout our site.

Cookies and Web Beacons

We may use cookies to store information, such as your personal preferences when you visit our site. This could include only showing you a popup once in your visit, or the ability to log in to some of our features, such as forums. We collect this information to help send you only pertinent content that we believe you are interested in and will benefit from.

We also use third party advertisements on LearnJazzStandards.com to support our site. Some of these advertisers may use technology such as cookies and web beacons when they advertise on our site, which will also send these advertisers (such as Google through the Google AdSense program) information including your IP address, your ISP, the browser you used to visit our site, and in some cases, whether you have Flash installed.

This is generally used for geotargeting purposes (showing New York real estate ads to someone in New York, for example) or showing certain ads based on specific sites visited (such as showing cooking ads to someone who frequents cooking sites).

DoubleClick DART cookies

We also may use DART cookies for ad serving through Googleโ€™s DoubleClick service, which places a cookie on your computer when you are browsing the web and visit a site using DoubleClick advertising (including some Google AdSense advertisements).

This cookie is used to serve ads specific to you and your interests (“interest based targeting”). The ads served will be targeted based on your previous browsing history (For example, if you have been viewing sites about visiting Las Vegas, you may see Las Vegas hotel advertisements when viewing a non-related site, such as on a site about hockey).

DART uses โ€œnon personally identifiable information.” It does NOT track personal information about you, such as your name, email address, physical address, telephone number, social security numbers, bank account numbers or credit card numbers. You can opt-out of this ad serving on all sites using this advertising by visiting http://www.doubleclick.com/privacy/dart_adserving.aspx

You can chose to disable or selectively turn off our cookies or third-party cookies in your browser settings, or by managing preferences in programs such as Norton Internet Security. However, this can affect how you are able to interact with our site as well as other websites. This could include the inability to login to services or programs, such as logging into forums or accounts.

Deleting cookies does not mean you are permanently opted out of any advertising program. Unless you have settings that disallow cookies, the next time you visit a site running the advertisements, a new cookie will be added.

Email Addresses

If you share your email address with LearnJazzStandards.com via the contact page, we will only use it to contact you, and will NOT add you to any lists or newsletters without your consent.

In addition, if you sign up for the free newsletter, your email address will only be used to send special offers and updates from LearnJazzStandards.com. Addresses are recorded and kept secure through MailChimp, which we use to distribute information to our subscribers. Neither MailChimp nor LearnJazzStandards.com will give or sell your address to any third party, nor will you be added to any additional lists.

Right to Be Forgotten

If at any point you wish to be completely deleted from our databases, whether it be as a newsletter subscriber or an account holder on learnjazzstandards.com, you have the complete right to do so.

Contact us, and we will ensure your data is cleared from our system.

Data Control Contact

If you ever wish to reach out to us regarding the use of your data, we are reachable at [email protected]. Additionally, you can use our contact page, to reach out any time.

In short, your information is safe with us, and we greatly value your trust.

Thanks for using Learn Jazz Standards!

Terms of Use

Welcome to LearnJazzStandards.com!

We’ve created this page so that you (and any visitor to LearnJazzStandards.com) will understand the terms and conditions that govern your use of this website.

If you continue to browse and use this website you are agreeing to comply with and be bound by the following terms and conditions, which together with our privacy policy comprise our (LearnJazzStandards.com’s) entire relationship with you.

Exclusion of Liability

The content found on any page of this website is for your general information and use only, and it is subject to change without notice.

Neither we nor any third parties provide any warranty or guarantee as to the accuracy, timeliness, performance, completeness or suitability of the information and materials found or offered on this website for any particular purpose.

You acknowledge that such information and materials may contain inaccuracies or errors and we expressly exclude liability for any such inaccuracies or errors to the fullest extent permitted by law.

Your use of any information or materials on this website is entirely at your own risk, for which we shall not be liable. It shall be your own responsibility to ensure that any products, services or information available through this website meet your specific requirements.

Indemnity

By accessing our website, you agree to indemnify and hold us harmless from all claims, actions, damages, costs and expenses including legal fees arising from or in connection with your use of our website.

Copyright Laws & Intellectual Property

This website contains some material which is owned by or licensed to us. This material includes, but is not limited to, the design, layout, look, appearance and graphics. Reproduction is prohibited other than in accordance with the copyright notice, which forms part of these terms and conditions.

All logos, trademarks, and other intellectual property found on LearnJazzStandards.com are the property of their respective owners. They do not indicate ownership, affiliation, sponsorship, or any other relationship with LearnJazzStandards.com.

In addition, this website may also include links to other websites. These links are provided for your convenience to provide further information. They do not signify that we endorse those websites, and we have no responsibility for the content of those linked websites.

Unauthorized Use

Your use of this website and any dispute arising out of such use of the website is subject to the laws of the United States of America. Any unauthorized use of this website may give rise to a claim for damages and/or be a criminal offense.

Thanks, and enjoy LearnJazzStandards.com!

Return Policy for Products

Refund Policy

For play-alongs and eBooks:

Because these are digital downloads, and not returnable, we have a strict no refund policy. All purchases are final and cannot be reversed. Please be sure that you fully understand the product you are purchasing and what is and what is not included. Of course, if you ever have any questions about a product feel free to contact usor visit our FAQ page.

For 30 Days to Better Jazz Playing eCourse

Please make sure you completely understand the product you are buying before purchasing.

14 Day 100% Money Back Guarantee

  • This guarantee lasts 14 days, which completely covers almost half of the course, enough for you to observe its’ effectiveness.
  • We canโ€™t guarantee you will be Miles Davis, Charlie Parker, or John Coltrane in 2 weeks. We’d be suspicious of anyone who could promise that. Becoming a better jazz musician is a process and it requires work.
  • If youโ€™re not happy with the quality of this programโ€ฆsend us an email and showing you did the work. We’ll refund 100% of your money (We’ll even eat the credit-card processing fees) and weโ€™ll part as friends. We believe in the power of this course and so we’ll take responsibility for it.

Rights of use

All digital products are for the use of the individual customer only. Redistribution or reselling of our digital products is strictly prohibited and a violation of United States and New York State law.

Learn Jazz Standards Messaging Terms & Conditions

Effective Date:

This SMS message program is a service of Learn Jazz Standards. By providing your cell phone number, you agree to receive recurring automated promotional and personalized marketing text messages (e.g., SMS/MMS cart reminders, sale notices, etc) from Learn Jazz Standards. These messages include text messages that may be sent using an automatic telephone dialing system, to the mobile telephone number you provided when signing up or any other number that you designate. You give Learn Jazz Standards permission to send text messages to the enrolled cell phone number through your wireless phone carrier, unless and until you end permission per these Terms & Conditions. Consent to receive automated marketing text messages is not a condition of any purchase. Message & data rates may apply.

Message frequency may vary. Learn Jazz Standards reserves the right to alter the frequency of messages sent at any time, so as to increase or decrease the total number of sent messages. Learn Jazz Standards also reserves the right to change the short code or phone number from which messages are sent and we will notify you if we do so.

Not all mobile devices or handsets may be supported and our messages may not be deliverable in all areas. Learn Jazz Standards, its service providers and the mobile carriers supported by the program are not liable for delayed or undelivered messages.

By enrolling in the Learn Jazz Standards messaging program, you also agree to these messaging terms & conditions (โ€œMessaging Termsโ€), our Learn Jazz Standards Terms of Use and Learn Jazz Standards Privacy Policy.

Cancellation

Text the keyword STOP, STOPALL, END, CANCEL, UNSUBSCRIBE or QUIT to the telephone number, long code, or short code that sends you our initial confirmation message to cancel. After texting STOP, STOPALL, END, CANCEL, UNSUBSCRIBE or QUIT to the telephone number, long code, or short code that sends you our initial confirmation message you will receive one additional message confirming that your request has been processed. If you change your preferences, it may take up to 48 hours for it to take effect. You acknowledge that our text message platform may not recognize and respond to unsubscribe requests that do not include the STOP, STOPALL, END, CANCEL, UNSUBSCRIBE or QUIT keyword commands and agree that Learn Jazz Standards and its service providers will have no liability for failing to honor such requests. If you unsubscribe from one of our text message programs, you may continue to receive text messages from Learn Jazz Standards through any other programs you have joined until you separately unsubscribe from those programs.

Help or Support

Text the keyword HELP to the telephone number, long code, or short code that sends you our initial confirmation message to receive a text with information on how to unsubscribe.

No Warranty

TO THE MAXIMUM EXTENT ALLOWED BY APPLICABLE LAW, YOU ACKNOWLEDGE AND AGREE THAT THE MESSAGING PROGRAM IS PROVIDED ON AN โ€œAS ISโ€ AND โ€œAS AVAILABLEโ€ BASIS WITHOUT WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED.

Limitation of Liability

TO THE MAXIMUM EXTENT ALLOWED BY APPLICABLE LAW, YOU AGREE THAT IN NO EVENT SHALL EITHER OF Learn Jazz Standards OR ANY PARTY ACTING ON BEHALF OF Learn Jazz Standards BE LIABLE FOR: (A) ANY CLAIMS, PROCEEDINGS, LIABILITIES, OBLIGATIONS, DAMAGES, LOSSES OR COSTS IN AN AGGREGATE AMOUNT EXCEEDING THE GREATER OF THE AMOUNT YOU PAID TO Learn Jazz Standards HEREUNDER OR $100.00; OR (B) ANY DIRECT, INDIRECT, CONSEQUENTIAL, SPECIAL, INCIDENTAL, PUNITIVE OR ANY OTHER DAMAGES. YOU AGREE EVEN IF Learn Jazz Standards HAS BEEN TOLD OF POSSIBLE DAMAGE OR LOSS ARISING OR RESULTING FROM OR IN ANY WAY RELATING TO YOUR USE OF THE Learn Jazz Standards MESSAGING PROGRAM. Learn Jazz Standards AND ITS REPRESENTATIVES ARE NOT LIABLE FOR THE ACTS OR OMISSIONS OF THIRD PARTIES, INCLUDING BUT NOT LIMITED TO DELAYS OR NON-DELIVERY IN THE TRANSMISSION OF MESSAGES.

Indemnity

To the maximum extent allowed by applicable law, you agree to indemnify, defend and hold harmless Learn Jazz Standards, its directors, officers, employees, servants, agents, representatives, independent contractors and affiliates from and against any and all claims, damages, liabilities, actions, causes of action, costs, expenses, including reasonable attorneysโ€™ fees, judgments or penalties of any kind or nature arising from or in relation to the these Messaging Terms or your receipt of text messages from Learn Jazz Standards or its service providers.

Dispute Resolution

  1. General. Any dispute or claim arising out of or in any way related to these Messaging Terms or your receipt of text messages from Learn Jazz Standards or its service providers whether based in contract, tort, statute, fraud, misrepresentation, or any other legal theory, and regardless of when a dispute or claim arises will be resolved by binding arbitration. YOU UNDERSTAND AND AGREE THAT, BY AGREEING TO THESE MESSAGING TERMS, YOU AND Learn Jazz Standards ARE EACH WAIVING THE RIGHT TO A TRIAL BY JURY OR TO PARTICIPATE IN A CLASS ACTION AND THAT THESE MESSAGING TERMS SHALL BE SUBJECT TO AND GOVERNED BY ARBITRATION.
  2. Exceptions. Notwithstanding subsection (a) above, nothing in these Messaging Terms will be deemed to waive, preclude, or otherwise limit the right of you or Learn Jazz Standards to: (i) bring an individual action in small claims court; (ii) pursue an enforcement action through the applicable federal, state, or local agency if that action is available; (iii) seek injunctive relief in aid of arbitration from a court of competent jurisdiction; or (iv) file suit in a court of law to address an intellectual property infringement claim.
  3. Arbitrator. Any arbitration between you and Learn Jazz Standards will be governed by the JAMS, under the Optional Expedited Arbitration Procedures then in effect for JAMS, except as provided herein. JAMS may be contacted at www.jamsadr.com. The arbitrator has exclusive authority to resolve any dispute relating to the interpretation, applicability, or enforceability of this binding arbitration agreement.
  4. No Class Actions. YOU AND Learn Jazz Standards AGREE THAT EACH MAY BRING CLAIMS AGAINST THE OTHER ONLY IN AN INDIVIDUAL CAPACITY AND NOT AS A PLAINTIFF OR CLASS MEMBER IN ANY PURPORTED CLASS OR REPRESENTATIVE PROCEEDING. Further, unless both you and Learn Jazz Standards agree otherwise in a signed writing, the arbitrator may not consolidate more than one person’s claims, and may not otherwise preside over any form of a representative or class proceeding. You agree that, by agreeing to these Messaging Terms, you and Learn Jazz Standards are each waiving the right to a trial by jury or to participate in a class action, collective action, private attorney general action, or other representative proceeding of any kind.
  5. No Class Actions. YOU AND Learn Jazz Standards AGREE THAT EACH MAY BRING CLAIMS AGAINST THE OTHER ONLY IN AN INDIVIDUAL CAPACITY AND NOT AS A PLAINTIFF OR CLASS MEMBER IN ANY PURPORTED CLASS OR REPRESENTATIVE PROCEEDING. Further, unless both you and Learn Jazz Standards agree otherwise in a signed writing, the arbitrator may not consolidate more than one person’s claims, and may not otherwise preside over any form of a representative or class proceeding.
  6. Modifications to this Arbitration Provision. Notwithstanding anything to the contrary in these Messaging Terms, if Learn Jazz Standards makes any future change to this arbitration provision, you may reject the change by sending us written notice within 30 days of the change to Learn Jazz Standardsโ€™s contact information provided in the โ€œContact Usโ€ section below, in which case this arbitration provision, as in effect immediately prior to the changes you rejected, will continue to govern any disputes between you and Learn Jazz Standards.
  7. Enforceability. If any provision of these Messaging Terms is found to be unenforceable, the applicable provision shall be deemed stricken and the remainder of these Messaging Terms shall remain in full force and effect.

Changes to the Messaging Terms

We reserve the right to change these Messaging Terms or cancel the messaging program at any time. By using and accepting messages from Learn Jazz Standards after we make changes to the Messaging Terms, you are accepting the Messaging Terms with those changes. Please check these Messaging Terms regularly.

Entire Agreement/Severability

These Messaging Terms, together with any amendments and any additional agreements you may enter into with us in connection herewith, will constitute the entire agreement between you and Learn Jazz Standards concerning the Messaging Program.

Contact

Please contact us with any inquiries or concerns at [email protected]

OUR PROVEN PROCESS FOR LEARNING JAZZ STANDARDS LIKE A PRO

Get our FREE eGuide โ€œLearn Jazz Standards the Smart Wayโ€ and follow the 5 simple steps for crushing it with jazz standards.

Learn Jazz Standards The Smart Way Cover

OUR PROVEN PROCESS FOR LEARNING JAZZ THEORY LIKE A PRO

Get our FREE “Jazz Theory Made Easy Fast Track Guideโ€ and follow the 4 simple steps that make learning jazz theory easy.

Jazz Theory Made Easy Fast Track Guide Ebook Cover

OUR PROVEN PROCESS FOR IMPROVISING JAZZ SOLOS LIKE A PRO

Get our FREE โ€œJazz Improv Made Easy Fast Track Guideโ€ and follow the 3 simple steps for improvising amazing jazz solos.

Jazz Improv Made Easy Fast Track Guide Ebook Cover

DOWNLOAD THIS CHORD CHART

Get our FREE "The 50 Best Jazz Guitarists of All Time (See Your Favorite?)" chord chart and our entire library of 200+ jazz standards!

Chord Chart

DOWNLOAD THIS CHORD CHART

Get our FREE "The 50 Best Jazz Guitarists of All Time (See Your Favorite?)" chord chart and our entire library of 200+ jazz standards!

Chord Chart

DOWNLOAD THIS CHORD CHART

Get our FREE "The 50 Best Jazz Guitarists of All Time (See Your Favorite?)" chord chart and our entire library of 200+ jazz standards!

Chord Chart